Masculinity and Fight Club Movie Review Example | Topics and Well Written Essays - 1250 words

anthropoidness and Fight Club - Movie Review ExampleMasculinity allows Palahniuk to unveil problems and weaknesses of pop gloss and place a modern man in this new society. The main character, an unnamed narrator, suffers from depression and anxiety caused by light job conditions and low salary. It assumes that a line of demarcation can be clearly drawn between tyranny and liberation, between inside and outside, and works to reify these binary oppositions. To some extend, fatally mortgaged to bourgeois individualism, it insists (like so many twelve-step programs) that one can obtain a cure by an act of result (which looks to me far much like an act of repression). Thesis The theme of masculinity helps the author to depict the destination of violence, cruelty and oppression created by pop culture and its values.For as the narrative makes clear, the sexual identity is finally revealed to be fictive, which is to say, strictly relational and dependent upon the roles assigned the par ticipants by a particular scenario. The narrator describes his put forward as This week the insomnia is back. Insomnia, and now the whole world figures to stop by and take a dump on my grave (Palahniuk 1999, p. 88). In becoming a spectacle, another man, the main character accedes to the new economy of desire that insists on the unique nature of identities. It also bears witness to the vexed relation between the semipolitical and the sexual in American culture and the fact that queer identities at once disrupt the binary opposition between the public and the private and honor the belief that the private is the central determining feature, not just of subjectivity, but of the social as well (Connell, 2005).The symbol of the shin club is the main word-painting of masculinity which reflects a true nature of human relations and social values. The rules of the Fight Club are described as The first rule of fight club is you dont talk about fight club. The second rule of fight club is you dont talk about fight club (Palahniuk 1999, p. 87). According to the logic of identification, the male subject, as Palahniuk so clearly suggests, can be defined as identifies with and is possessed by an other. For as a subject, the narrator is always secern into a masculine-and sadistic-half that delights in displaying his prowess and his marksmanship, and a feminine-and masochistic-half that delights in being used as a target. His project, as man and as writer, is to master the femininity that perpetually gets in his way, the femininity at which he aims and does not aim, to write his way out.Similar to the narrator, other characters are also involved in masculine culture and cannot avoid its impact and social significance. Tyler Durden and Robert Bob Paulson reflect masculinity and become a part of mass culture. For Tyler Durden, among all the ostensibly revolutionary projects, none is more important than their subversion of the differences between the public and the private spheres. The new settlement, especially under the terms of the domestic revival, works to